
Burlesque.
For decades upon decades vaudevillian theater has been applauded as the forefront of true human art, using comedy, music and sex appeal to entertain every class of people in their captive audience, and challenging the way society viewed life as a whole. Performers often spoofed Shakespearian plays and foreign operas, mocked sexist standards and unapologetically dared their patrons to view women differently, seizing the opportunity to play a role that rarely anyone could: Independent.
It was that independence from traditional theater that allowed burgeoning success for generations of burlesque starlets everywhere. In 1868 when the average family made less than the price of today's movie ticket a week, beginning burlesque theaters were grossing over $370,000 a season. People packed venues so tightly that entire shows were moved across cities to accommodate more bodies. Their ticket holders included well-to-do women, adventurous wives, men of civilized taste, and every kind of person in between. Even with influential and self-righteous zealots striving to condemn impropriety after first approving of it publicly (using sermons and editorials to denounce the movement) halls were still turning patrons away every opening night.
And as with all things, when the first sign of popularity came to the attention of soon to be copy-cat managers, troupes were bursting to the stage left and right to try and cash in on the "scandalous" art of the tease.
Eventually, vaudeville and burlesque parted ways. As male performers took over most of vaudeville theater, women were exchanging their wit and coy flirtatious banter for peeling more and more clothing off, proving that women could be tough contenders in show business. Because of this and the abundance of adventurously titillating talent, burlesque began to get quite the raunchy reputation. And despite the fact that most vaudeville performers looked down on "new" burlesque, many a vaude trooper avoided bankruptcy by appearing in burlesque... During the 20's theaters closed down and acts were taken off of the golden stage. It was some time around then when the actual strip-tease as we know it today was born. Independent theaters made a desperate, bodily plea to keep up ticket sales in any way that they could, opting for g-strings and pasties and a heavier bump and grind from their dancers, rather than the lavish costumes they might have once demanded.
Fast forward. In the late 90's burlesque began to come back to its extravagant roots, taking over the world with dancers who captivated new audiences all over the world. They stood apart from common strippers and strip clubs by injecting modest sensuality, humility, innocence, and classicism into their routines, donning fully covering costumes and props that were elaborate and memorable. Dita Von Teese calls herself a glorified stripper, and she's right. But there will always be a difference between the tastefully provocative and the pointlessly lewd.
And now, I'd like to offer you some perspective.
I was a professional burlesque dancer. I had a wonderful troupe who treated everyone involved as the artists that we were. We created visually stunning routines that focused more on 3 different stories than on me in my bra and fully covering panties, and my audience never acted in any way other than as admiring watchers. I was commended on my performance by people who hadn't even seen the show, by my parents, my grandparents, and by other performers. There was nothing perverse or obscene about my show, and none of it even remotely resembled being a stripper.
Here are a few other things to think about:
- I was more dressed in all of my skits than some people are in numerous (very revealing) bikini shoots, or shoots of them on a bed in their thong. These are images that are captured forever on film, for everyone to see. They detail several areas that are not the most modest, especially for a middle school teacher!
- Prancing around on stage (or posing) in a bikini is the exact same thing as prancing around on stage in your underwear. Both are selling their bodies in some form, so how is one really above the other? ( See? )
- Being on stage in general takes a lot of courage. I'd imagine it's the same for pageantry. You're judged by the way you move, the way your body looks, the choices in outfits, and your personality. All of that is reflected in burlesque. We're actually judged more critically, and more entirely. Our heart and soul goes every inch of our actions, and anyone who appreciates one can appreciate the other. Negative, holier-than-thou attitudes emphasizes insecurities and inadequacies, which is confusing as stage performance is supposed to up your self-esteem. That much practice and a person is still a pompous ass? Tisk-tisk!
- Random fact: Most of the demographic who go and see burlesque shows are women. Women who appreciate the freedom to express sensuality in creative ways, who understand wanting to get dolled up and dance on stage like they are the only ones that matter. Women. Not howling men at strip clubs who demoralize girls at every turn, but women of every age imaginable. (see first example photos)
- Facts for friends... ( Famous Community College Alums )

Whether you're too jealous to see, or you're too small minded to grasp this, I was involved in a one of a kind spectacular that completely stood separate from every other venue in the United States. Forget Jacksonville, forget Florida. We were the first original 3D burlesque troupe in America. I know for a -fact- that you can't even remotely say the same thing about the projects you've taken on (what, with your photo sets where other girls are in the same clothes as you, posing in the same positions as you, portraying the exact same image over and over again). I pity you. I've always pitied you. And really, you've reminded me just how bad ass my life really is.
Current Location: Columbus, OH
Current Mood:
Untouchable
2 comments | Leave a comment































